Marston records (USA)

A Century of Romantic Chopin - 65 Pianisten spielen Etüden, Preludes, Mazurkas, Walzer, Nocturnes, Balladen, Polonaisen, Scherzi, Sonaten, Konzerte (Auszüge) - Mit Francis Planté, Vladimir de Pachman, Paul Pabst, Bela Bartok, Alfred Grunfeld, Alexander Michalowski, Josef Hofmann, Sergei Rachmaninoff, Ferruccio Busoni, Moritz Rosenthal, Ignace Jan Paderewski, Ignaz Friedman, Alfred Cortot, Jan Smeterlin, Rosita Renard, Vladimir Sofronitzky, Claudio Arrau, Guiomar Novaes, Benno Moiseiwitsch, Solomon, Arthur Rubinstein, Emil Gilels, Earl Wild, Jorge Bolet u.v.a. - Eine detaillierte Track-List kann angefordert werden

Anselmi, Giuseppe (1876-1929) - The Complete Recordings - The charismatic lyric tenor Giuseppe Anselmi (1876–1929) was idolized in Madrid, Warsaw, Buenos Aires, and Saint Petersburg during the first decade of the 20th century. He sang with success at Covent Garden and La Scala at a time when his competition was Caruso, Zenatello, Bonci, and Giorgini. Understanding the power of recordings to publicize a singer’s voice, Anselmi recorded prolifically for Fonotipia from 1907–1910 (both operatic and song repertoire) and in 1913 for Edison. His records include some of his own compositions, as well as some pieces of unusual repertoire for the time, so some of the records are quite scarce for this reason. Also an accomplished violinist, Anselmi composed in his spare time and after he ended his career in 1918 he devoted his time to teaching and composition until his untimely death from pneumonia in 1929, at fifty-two. Upon his death his heart was removed from his body and sent to Madrid’s Teatro Real, the theater of his greatest successes - Eine Inhaltsübersicht liegt für Sie bereit

Battistini, Mattia (Bariton) - The complete recordings - Restauriert von Ward Marston - & Aufnahmen mit dem Bariton Giuseppe Bellatoni - eine detaillierte Inhaltsübersicht senden wir Ihnen gern zu

Bolet, Jorge - Vol.2 - Ambassador From the Golden Age - A Connoisseur's Selection For the Bolet Centennial - Brahms: 3 Intermezzi op.117, Haydn: Klaviersonate Nr.62 Hob.XVI/52, Mendelssohn: Fantasie op.28, Variations serieuses, Beethoven: Klaviersonate Nr.17 & 26, Chopin: Fantasie op.49, Etüde op.25 Nr.5, Walzer op.64 Nr.1 & op.post., Nocturne op.48 Nr.2, Donizetti-Liszt: Reminiscences de Lucia di Lammermoor S.397, Verdi-Liszt: Rigoletto S.434, Liszt: Ungarische Rhapsodie Nr.12, Venezia e Napoli S.162 Nr.1 & 3, Ballade Nr.2, Wagner-Liszt: Spinnerlied S.440, Tannhäuser-Ouv., Schumann-Liszt: Widmung S.566, Franck: Prelude, Aria und Finale, Grieg: Ballade op.24, Debussy: Auszüge aus Preludes Buch I & II, Clair de lune, Vorisek: Impromptu op.7 Nr.5, Schubert: Impromptu D.899 Nr.3, Schlözer: Etüde op.1 Nr.2, Rachmaninoff: Preludes (Auswahl), Variationen op.22, Polka de V.R., Tschaikowsky-Rachamninoff: Lullaby, Chasins: Preludes Nr.14 & 15, Weber-Godowsky: Aufforderung zum Tanz op.65, Rameau-Godowsky: Minuet a-moll, Schubert-Godowsky: Rosamunde Ballettmusik, Moment musical D.780 Nr.3, Chopin: Godowsky: Studies & J.Strauss, R.Strauss, Saint-Saens, Bizet, Godowsky, Moszkowski, Bach, Mozart, Mozart-Liszt, Wagner - eine ausführliche Übersicht mit allen Aufnahmedaten senden wir Ihnen gern zu. Lieferzeit mind. 2-4 Wochen

Boninsegna, Celestina (Sopran) - The Complete Celestina Boninsegna (1877–1947) was one of the most prolifically-recorded sopranos of the early twentieth century. Yet it was not her stage career which convinced recording executives to produce her records, but her “phonogenic” voice that created the demand. Boninsegna’s recordings are stunning, making her one of the most collectible sopranos of her time. She managed to overcome the limitations of the acoustic recording studio and leave us records that have some of the presence of live recordings from the stage. According to Fred Gaisberg, the impresario for the Gramophone Company, Boninsegna’s “voice was so smooth and velvety and of such even registers that recording was no effort; the results obtained were always thoroughly musical and therefore gave intense pleasure. Those harsh places expected in any record by a dramatic soprano were conspicuous by their absence.” Over the past fifty years there have been no comprehensive LP or CD reissues of Boninsegna’s records. We now pay homage to Boninsegna by reissuing all of her recordings in this five-CD set, which will include several extremely rare photos, complete discographic information, and an informative essay by Michael Aspinall on her career and recordings. Detaillierte Inhaltsangaben liegen für Sie bereit. Die Box können Sie bereits jetzt bestellen.

British Tenors - A Survey of British Tenors Before Peter Pears - Aufnahmen mit Dan Beddoe, Webster Booth, Tom Burke, Joseph Cheetham, John Coates, Sydney Coltham, Ben Davies, Tudor Davies, Hubert Eisdell, Gervase Elwes, Walter Glynne, William Green, John Harrison, Gregory Hast, Ruby Helder, Joseph Hislop, Walter Hyde, James Johnston, Hirwen Jones, Arthur Jordan, Morgan Kingston, Edward Lloyd, John McCormack, Frank Mullings, Heddle Nash, Joseph O’Mara, Charles Saunders, Herbert Teale, Frank Titterton, Henry Wendon, Walter Widdop, and Evan Williams - There was a style of tenor singing in the early days of recording that was peculiarly British. It began we can suppose with tenors of the 18th and 19th centuries who did not record, such as Charles Dibdin, John Braham and Sims Reeves, and carried on more or less until the end of the 78rpm era by British tenors who did record until the model for singing tenor in Britain became Peter Pears, whose singing was not really like any of his predecessors. This CD set celebrates the historic and wonderful recordings made by those earlier tenors. They sound old-fashioned because no-one singing today sounds like them. They also sang and recorded a repertory of English songs and opera arias infrequently performed today. Although some of them recorded songs and arias in foreign languages, we have intentionally limited this set to songs, operatic arias and oratorio arias originally sung in English. As Shaw wrote in 1891 in his review of the farewell concert of Sims Reeves, the public was losing the greatest tenor in England and perhaps the greatest tenor in the world. This set is intended to allow us to imagine what a Sims Reeves concert might have been like - Eine echte Rarität - verfügbar voraussichtlich ab Oktober 2020

Chalia, Rosalia (Sopran) - Selected Recordings of a Forgotten Soprano - Arien aus Semiramis, Il barbiere di Siviglia, Staqbat Mater (Rossini), Don Giovanni, L'etoile du Nord, Faust, Carmen, La Traviata, Un ballo in maschera, Aida, cavalleria rusticana, Bohemian Girl & Lieder

Complete recordings of Edvard Grieg, Camille Saint-Saens (spielt eigene Werke) und Raoul Pugno

Complete recordings of Marie Delna & selected Recordings of Jeanne Marié De'Lisle - lim.Auflage von 1000 Stück

Early French Tenors - Aufnahmen mit Emile Scaramberg (complete Fonotipia recordings 1905-1906), Pierre Cornubert (Fonotipia, Disque Ultima, Edison cylinders) und Julien Leprestre (French Odeon, 1905-1907) - lim.Auflage von 1000 Stück

Endreze, Arthur (Bariton) - the complete Recordings - Auszüge aus Tosca (mit Vallin, di Mazzei), cavalleria rusticana (mit Cernay, Micheletti) & Arien aus Opern von Bizet, Massenet, Verdi, Thomas, Wagner, Gounod, Delibes, Leoncavallo, Rossini, Donizetti, Berlioz, Magnard, Chausson & Lieder u.a. Auszüge aus Dichterliebe

Falling in Love is Wonderful - Ward Marston & Rosemary Benson - Songs from composers like Gershwin, Berlin, Porter, and Mancini (AD:2009) - Ward and I have performed together For many years. "While I never underestimated his virtuosity at the piano, I had taken For granted his ability to compose arrangements on the spot; on these recordings he is ingenious and inexhaustible, as facile at referencing Bach as Basie. For my vocals, Ward’s accompaniment is as much cradle as catalyst - a safety net and a slingshot. These are spontaneous and honest performances. We recorded each song several times, and every take had a different flavor. When we finished recording, we simply chose the versions that we thought were most effective. What would add to our pleasure in completing this project would be the knowledge that you enjoy listening as much as we did in recording." - Rosemary - lim.Sonderpreis

de Lucia, Fernando (Tenor) - The complete Gramophone Company Recordings: 1902-1909 - Fernando De Lucia (1860 - 1925) is one of the most well-known tenors on early records. His recording career spanned 18 years and yielded some 300 sides. Although De Lucia portrayed a number of important verismo roles, his vocal technique was solidly grounded in the pre-verismo style. De Lucia is therefore viewed today as one of the most important links to the graceful and ornamental style of singing prior to verismo. His early recordings, which appear in this compilation, many of which are rare and highly sought-after, present a broad range of roles both bel canto and verismo. Although other historic labels have documented De Lucia's recordings, this release will provide new insight into De Lucia's recorded legacy by transcribing his records at play back speeds that Ward Marston is convinced are correct, yet remain controversial. The set will conclude with an ample selection of De Lucia's later recordings For the Phonotype label, which reflect his important operatic roles that were not represented on his Gramophone Company discs.

Firebirds of Paris - seltene Vokal-Aufnahmen mit Vanni-Marcoux, André d'Arkor, Ninon Vallin, Georges Thill

Foster, Sidney (Klavier) - Rediscovering an American Master - Tschaikowsky: Klavierkonzert Nr.1 (Utah SO, Abravanel, 1966), Beethoven: Klavierkonzert Nr.3 (New York PO, Barbirolli, 1941), Werke von Bach/Liszt, Mendelssohn, Schumann: Carnaval, Klavierkonzert a-moll, Chopin: Klaviersonaten Nr.2 & 3 u.a., Liszt, Scriabin: Etüden, Klaviersonate Nr.2, Weber, Mozart: Klaviersonate Nr.5 KV 283, Beethoven: Klaviersonaten Nr.21 & 31, Liszt: Klaviersonate h-moll, Brahms: Klaviersonate Nr.3, 4 Balladen, Franck, Moszkowski, Rachmaninoff: Klaviersonate Nr.2, Prokofieff: Klaviersonate Nr.2, Visions fugitives u.a., Paderewski, Bach-Liszt, Hummel, Debussy, Joio: Klaviersonate Nr.3, Bartok: Klavierkonzert Nr.3 (Boston SO, Copland, 1965), Debussy u.a. - eine detaillierter Inhaltsübersicht mit interessanten Detail-Informationen auf 13 Seiten (in engl.Sprache) senden wir Ihnen auf Wunsch gern zu (auch per e-mail).

Gogorza, Emilio de (Bariton) - Selected Recordings - Arien und Lieder - Restauration: Ward Marston

Goldsand, Robert (1911-1991) - Klavier - The Lost Recitals - After auditioning more than two dozen Goldsand recitals from the preserved and digitized tapes, the performances presented here were chosen to represent him at the height of his powers. Notes are by IPAM Curator Donald Manildi. This three-CD Marston release marks the first–and long overdue–representation of Robert Goldsand's playing on compact disc. It offers performances from 1956 through 1977 - Eine Inhaltsübersicht liegt für Sie bereit

GOUNOD: Faust (Margarethe) gesungen in deutscher Sprache - Emmy Destinn, Karl Jörn, Marie Goetze, Desider Zador, Paul Knüpfer, Chor und Orchester, Bruno Seider-Winkler (AD:1908) & Emmy Destinn - 10 Recordings from 1906 to 1910

GOUNOD: Faust - Leon Beyle, André Gresse, Jean Noté, Jeanne Campredon, Pierre Dupré, Francois Ruhlmann dirigiert (AD:1911/12)

Hofmann, Josef (Klavier) Vol.6 - The Casimir Hall Recital 15.3.1936 - Beethoven: Sonate Nr.14 & 21, Schumann: Kreisleriana, Chopin: Walzer, Nocturnes, Polonaise op.26 Nr.2 - Concert 7.4.1938 - Chopin, Hofmann, Stojowski, Schubert: Dodowsky, Concert 26.10.1941 Broadcast: Beethoven: Klavierkonzert Nr.4, Klaviersonate Nr.14 1.Satz (3Versionen)